A mockumentary about a small-town man who is abducted by aliens, meets a group of fellow abductees, leads a daring escape back to Earth, and in the process finds purpose, community, and love.

A group of very different people set sail on an old warship. The passengers include a senator with his son, a newly-wed couple, a mysterious old man, a group of sex workers and a gang of violent criminals. At first the aggressive behaviour of the thugs and their leader is directed at the first class passengers, but then more and more indiscriminately against the rest of those on board. Rape is followed by murder and it’s not long before the first of numerous and increasingly brutal mutinies takes place.

Infinite Space, a documentary feature film, traces the lifelong quest of visionary genius John Lautner to create “architecture that has no beginning and no end.” It is the story of brilliance and of a complicated life – and the most sensual architecture of the 20th century.

Based on Érico Verissimo's literary trilogy, Time and the Wind follows 150 years of the Terra Cambará family and their opponents, the Amaral family. The struggles between the two families begin in the missions and lasts until the end of the 19th century. The film also features the period of formation of the state of Rio Grande do Sul and the dispute of territory between the Portuguese and Spanish crowns.

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When a duffel bag explodes into existence over the Nevada desert, Dyson Wheeler - set to be hanged - seizes his chance at escape, killing his captor with the shovel he was just using to dig his own grave. Thus begins Wheeler's mission to avenge the death of his beloved wife Rachel, and in the process, create our particular pocket of space-time, The Future That Matters To Us. The Lord of All Future Space and Time is a classic western tale of revenge interrupted by sci-fi hijinks. Purposefully and joyfully heavy on narration - in the style of early Coen Brothers or somewhere between Goodfellas and Amelie - it's a tall tale in a short film, a fast-paced comedy asking the big questions about time, grief, love and the meaning of life itself.

When a shy young man arrives on her doorstep, Alice Hartley grabs the chance to escape from her loveless marriage. She and Michael open a Growth Centre with a difference - offering sex, drugs and personalised water births.

When a Space Baby crash lands on Earth, the Baby Squad must race against time to stop an evil villain from taking over the universe!

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.